Thursday, May 3, 2012

March Madness

(Hi All~  I'm posting here on behalf of Mike Mena, my bro-in-law.)

Hello Eleventilicious friends,

The March CD has been shipped.

Things have been crazy! I was drawing a creative blank for the theme of this CD when I came across a note from my brother Paul who, knowing I’m a basketball fan, asked me if I was into MARCH MADNESS. And there was my theme.

I could say that the liner notes are here and not in your package because I meant to be “green,” but that would be politician honest and not my style. Most of the songs here are quite commercial but could be the anecdote to ride out March.

Cheers!

Weezer have always sounded a bit undone but never more so than with the song: “Undone.”

The Vapors only had one hit but “Turning Japanses,” was decadent 80’s fun.

The Manic Street Preachers provides an anglophile fix with the song “Tsunami.”

Napoleon IVX provide the novelty play with: “They’re Coming to Take Me Away.”

Brett Dennen kind of fits in that awkward kind of folk-pop nuttiness with “There Is So Much More.”

Rage Against the Machine get angry with insanity and provide a sonic assault with: “Renegades of Funk.”

The Streets Anglo Rap has always appealed to me. He’s kind of pissed off too with the song: “Prangin’ Out.”

Where would a March Madness CD be without Madness performing the song: “Madness”?

Tears for Fears reminds us that it’s a “Mad World.”

When everything goes to hell, “Let’s Go Crazy.” Yes Prince is.

Cypress Hill are indeed: ‘Insane in the Brain.”

When insanity creeps in, the Ramones: “Wanna Be Sedated.”

Weather does inspire insanity and the Jam do a number on the Martha & the Vandellas classic: “Heat Wave.”

If once is crazy, what is three times? Michael Franti sings: “Crazy, Crazy, Crazy.”

“Crazy,” can be a somber slow brew as well. Patsy Cline sings her heart out!

Seal sings: “In a world full of people, only some wanna fly. Is that not “Crazy”?

Green Day reminds us that if you go “too” crazy, you become a: “Basket Case.”

All this nuttiness creates a: “Ball of Confusion,” as the Temptations display.

Steely Dan illustrate going insane in articulate fashion with: “Bad Sneakers.”

Have fun! Go nuts!
Mike

Sunday, February 12, 2012

The Club is Open

The February CD takes its name from the final line of Guided By Voices' "A Salty Salute," which seemed to be a suitable way to introduce the playlist.

I started out with a tracks consisting exclusively of performers I've seen live. Where I had no live recordings in my collection, I set myself out to find some, leading me on an unlikely treasure hunt. As a last resort I even converted a YouTube video or two to MP3 files. Culling the playlist was especially daunting. In some cases I had to sacrifice a song due to its length: Roy Buchanan's rendition of “Roy's Bluz” is gripping, but at 8:10 it took up valuable real estate. Other recordings were of a quality too poor to share: The Cobra Skull's “Hasta Los Cobra Skulls Siempre” is great bilingual punk, but was practically inaudible. Lastly, some performers simply didn't capture sufficient intensity in a live setting to merit inclusion. It was disappointing to say the least to hear The Ramones phone in classics like “Rockaway Beach” as if they were performing Community Service. On the plus side, what I've committed to CD is nearly 77 minutes of the best live music I've heard over the years. Please enjoy at maximum volume!

1) “All My Rowdy Friends Have Settled Down”: Anyone who doesn't think Elliott Smith had a lighter side would be delighted to hear this Hank Williams Jr. cover, recorded at Largo in 1998. Mary and I saw him at Waterloo Records in Austin that same year. Sadly it would be the last time.

2) “Hawaiian Baby”: Mary and I saw Rebecca Gates of The Spinanes at the Middle East a dozen or so years ago. My two most striking memories of her were how tall she was, and how she insisted upon paying for her drinks at the bar. This rendition of an early Spinanes song was recorded live in the studio with Lois Maffeo helping out on background vocals.

3) “Shunned + Falsified”: Former Soul Coughing frontman Mike Doughty was still going by “M. Doughty” when we first saw him at Lily's in Somerville. We've since seen him many times, including during the 2009 “Question Jar” tour from which this song is taken.

4) “This Year”: This song is so popular among the Mountain Goats' rabid fans that it was tough to find a recording that didn't include a large crowd singing along. This was taken from a YouTube video of a concert at Pitzer College in CA. We've seen the Mountain Goats as least as often as we've seen Mike Doughty.

5) “Dirty Dishes”: Deer Tick are a fairly recent find for us and represent an emerging reality – musicians who are younger than my children. This recording was also a converted YouTube video, this one recorded at Waterloo Records in Austin a few years back. Can't beat the four-part harmonies.

6) “Portland”: One of my life's great regrets is never having seen The Replacements live. Imagine my excitement to hear John McCauley and Ian O'Neil do not one but two 'Mats covers! We were only a few feet away from the stage at the Middle East in January 2011 when this song was recorded.

7) “Tom's ?”: I had never heard of R.E.M. When I saw them open up for Gang of Four at the Ritz in '81. I found them utterly captivating, but the NYC crowd nearly booed them off the stage. By '91 they were so popular that they could only perform at small clubs under a pseudonym. Here they are joined on stage in London by Billy Bragg doing an “improvised” cover of the classic Suzanne Vega song.

8) “Shocker in Gloomtown”: Mary and I have different takes on Guided By Voices, and while I readily admit that the Drunk Uncle Bob routine wears thin, they remain my favorite band of all time. This classic one-minute wonder was recorded in Melbourne, Australia in 2000, downloaded from the GBV website.

9) “Sparks”: I saw The Who in '79, a year after Keith Moon died and ten years after Woodstock. Suffice to say, they were a very different band. This is an electrifying take on the instrumental from “Tommy” as performed at that epic concert.

10) “Ugly Nora”: Mary and I saw the Soft Boys in 2000, when they reunited to celebrate the 20th anniversary of their classic album “Underwater Moonlight.” This live track is taken from their 1979 album “A Can of Bees”, and features both four-part harmonies and some incendiary guitar work from Kimberly Rew.

11) “Uncorrected Personality Traits”: We've always been amazed to hear this amusing a capella track performed live, most recently when Robyn Hitchcock toured to celebrate the 20th anniversary of the release of “I Often Dream of Trains” at the Somerville Theater.

12) “Jambalaya”: As promised, this is a second Hank Williams cover, a punkabilly take on an old chestnut. We first saw Dash Rip Rock at Howlin' Wolf in New Orleans, where they opened up for Southern Culture on the Skids. They were so good that we ended up walking out on the headliners just to preserve the euphoria.

13) “They Called it Rock”: Rockpile were the backing band for both Dave Edmunds and Nick Lowe. They were also a great live band, as evidenced by this '79 concert at the Ritz that was recorded for radio. I'm pretty sure my brother Mike and I were at this very gig.

14) “Entertain”: Sleater-Kinney were a ferocious live band when I saw them supporting their “Dig Me Out” album in '97. This track, recorded live at Lollapalooza in 2006, proves that they hadn't mellowed out one bit.

15) “Sideshow by the Seashore”: No band sounded quite like Luna, who fused Velvet Underground fuzziness with whimsical lyrics and exceptional musicianship. We saw them several times live. During one performance at the Middle East, Dean Wareham kept responding to shouted requests by deadpanning “we can't do that song.”

16) “Sad Sweetheart of the Rodeo”: We managed to see Harvey Danger both in Boston and Austin, and found them to be so much more than the one-hit wonder that brought you “Flagpole Sitta.” Sadly, much of the live recordings I found were made during their farewell tour and were marred by loud sing-alongs. This live studio track came with the “Cream and Bastards Rise” EP.

17) “All Wrong”: Another unique band we loved so much, Morphine were always true to their Boston roots. We last saw them at an outdoor concert in Central Square in '99, just months before bandleader Mark Sandman died. This track was recorded live in Germany and was included with the “Honey White” single.

18) “Stairway to Heaven”: Me First and the Gimme Gimmes perform sloppy, irreverent punkified covers of classic songs, including this travesty from “Me First and the Gimme Gimmes Ruin Johnny's Bar Mitzvah.” The band typically wears matching outfits on stage, and were all wearing kitschy Hawaiian shirts when we saw them in 2011.

19) “Anthrax”: Gang of Four were positively electrifying when I saw them at the Ritz in '81. I tried hard to scavenge a recorded version of this feedback-drenched diatribe from that era, and managed to find this gem recorded at Mothers in NYC circa 1979.

20) “Barrier Reef”: I had always heard that the Old 97s were a great band to see live, and finally had an opportunity to put this to the test last April at the Royale in Boston.

21) “Recent Title”: I saw Pylon at a tiny club in West Hempstead, NY back in '79, and they put on a great show. I was fortunate enough to find this track as a YouTube video recorded at Hurrah that same year. My brother Mike and I have some great Hurrah memories dating back over 30 years ago.

22) “Killer McHann”: I'm not much of a fan of hardcore punk, but The Jesus Lizard's musicianship and the wild antics of frontman David Yow made them a must-see. I still remember the lead singer crowd surfing and just barely clearing the low ceiling at the Middle East Downstairs back in '97.

23) “All That Jazz”: Echo and the Bunnymen were another band I saw in West Hempstead circa 1979. They were so new that they played their opening song a second time as an encore because they didn't know any other songs. This was taken from the “Shine So Hard” EP in glorious vinyl.

24) “That's How I Escaped My Certain Fate”: I saw Boston's Mission of Burma at NYC's Peppermint Lounge with my brother Mike. I remember that the band refused to play any of their more popular songs, and that bassist Clint Conley sweat more than any other human being I had ever seen.

Almost on its Way...

My February CD has been burned, the artwork printed out and dutifully inserted into jewel cases, and the final product packaged into mailers and labeled. Mary plans to bring them to the Post Office tomorrow, meaning that most of you will get them later this week. I’ll post the playlist and liner notes later today, but I wanted to quickly let everyone know that the project was a blast. My thanks to all for doing it again this year.

Paul

Monday, January 30, 2012

A Love Story in Four Acts

And we're off! The January CDs go in the mail first thing in the morning.

As I searched for a theme this year, I started by gathering the songs I most like and want to share. Turning that list of 72 songs over and over a couple themes start to emerge, not surprisingly the most prevalent theme is love (or lack thereof). Also not surprising in my collection, all of those songs are from the female voice. Despite that common threading, this method of assembly allows for some fantastically random song transitions. I am particularly proud of Rosemary Clooney dancing straight into Poe's Not a Virgin and Martha Davis's enchanting Trust Me crashing onto the rocks of Hesta Prynn's Can We Go Wrong. Since I am a procrastinator, most of you will receive this epic in early February, which I can claim was on purpose to capture some of that Valentine's Day spirit. I proudly present 20 glorious songs of A Love Story in four Acts.

Act I: The Dance
Wishful Thinking - The Ditty Bops. I discovered the Ditty Bops at Harbor Lights on the waterfront in Boston opening for Tori Amos. A fun start to any show including this one.

I Think I love You - Donora. The morning DJ at WYEP in Pittsburg is a close friend of mine and the source of any cool music in my collection including Pittsburg local gem Donora. If you like hula-hoops, check out the you tube video for this song.

What Do I Have to Do - The Donnas. I went to Ozzfest just to see The Donnas and I was glad I did. So much energy, so much anger and so much get over it! This is that i-want-to-get-closer-to-you-but-i-don't-want-to-let-my-guard-down-until-you-do part of the dance.

Bring Me Edelweiss - Edelweiss. Not exactly Rodgers and Hammerstein, but a fun one hit wonder about courtship. Was there really any other type of popular music in the 80's?

Reel Me In - Kim Richey. I met Kim in the Hampton Ballroom. She was opening for the Indigo Girls, but I went to see her as she was a friend of a friend. This song completely enraptured me that night and continues to. The louder the better, but a word of caution: unlike the rap songs that claim to have the deepest base, this one will actually test the low end of your stereo system.

I Could Have Danced All Night - Rosemary Clooney. With all due respect to Julie Andrews, this is my favorite version of this oft covered song from My Fair Lady.

Act II: Falling through Lust into Love
Not a Virgin - Poe. I think she said it all.

Stockings - Suzanne Vega. One of the greatest visuals ever comes form this song: "Do you know where friendship ends and passion does begin? It's between the binding of her stocking and her skin." You can imagine the entire story just from those two lines. The song tells of one of the Nine Objects of Desire, sonically one of the best albums ever made.

How Naked - The Blow. I am violating a rule somewhere by including a band that appeared on last year's submission, but this song perfectly captures the pivotal point of this act. Plus, it's The Blow.

In The Night - Jen Taranto. I stumbled upon Jen playing on the street in Downtown Crossing one day. She rolled her eyes when I asked her if she took requests. I asked for track 3. "Off of your CD" I explained, which instantly turned her into the happiest person I had ever seen. It must have been the first time someone requested one of her own songs. Track 3 is called "In The Night"

Shhh - Donora. Now I am violating another rule by including two tracks by the same band, but I really want you to get to know Donora. This song is that time when the rest of the world fades into the background all that matters is the one you love.

Will I - Rachel McCartney. This is the song I most wanted to share. Close your eyes and let Rachel take you deep into your own self. Will you listen?

Trust Me - The Motels. In that last moment of doubt, the one you love covers that last fear and reassures with an enchanting "Trust Me" The falling into love is complete.

Act III: The Dark Times
Can We Go Wrong? - Hesta Prynn. The doubts come back, can something right go wrong? Hesta became famous as part of the rap trio Northern State. I saw them open for Tegan and Sara at Berkley College of Music and was immediately a huge fan. This one is also a really cool video if you get the chance to Youtube it. Her cover of Pepper is worth a listen too.

Cool on Your Island - Y Kant Tori Read. The goddess, before she was. A rare 7" single of this song adorns a corner of my home office. At this point the relationship is definitely going wrong.

Wrap My Head Around That - Lucinda Williams. Now she is imploding, turning further into herself, into her pain and confusion trying to figure out where it all went wrong.

Brake of Your Car - Lennon. Wait? Why did you leave? Now I'm angry! Named after John Lennon (she spent most of 2008 defending a copy write lawsuit from Yoko), Lennon's first album was released on September 11, 2001. The world was a little distracted that day, so no one really noticed this one. Plus she hated the album and refused to promote it. But I like it anyway.

Act IV: Happily Ever After
I Know I Know I Know - Tegan and Sara. Let's skip all of the sappy make-up and I'll-change-I-promise songs and get to the good part - peaceful happy love, reassuring gestures and friendship.

On the Radio - Regina Spektor. Russian piano player who now hails from Brooklyn. She is definitely on the list of acts I would like to see live. I love those moments that you get to relive memories from the early days of the relationship - moments connected by music of course!

Rascal - Don White. Another WERS find. This whole Live in Michigan album is fantastic, particularly if you have been married for a while, have kids or both. As a young adult, this song represents everything you never want to become, but as you get older you find a lot of attractive elements in these lyrics.

The disc was supposed to end with a Loretta Lynn song, but I ran out of room by 35 seconds:
This Old House - Loretta Lynn. Produced by Loretta fanboy Jack White who also sings backing vocals. This last song is about love that endures and is remembered long after the lovers.

Sunday, January 29, 2012

Teaser

I’m already hard at work on the February CD. Here’s a bit of a teaser that should confound at least as much as it enlightens: my playlist includes not one, but two Hank Williams covers.

Thursday, January 12, 2012

Eleventilicious 2012 - the Starting Line-up

January : Bill W.
February : Paul
March : Mike
April : Bill K.
May : Brett
June : Randy
July : Christina
August : Chuck
September : Ileana
October : Angela
November : Mary
December : Cynthia

Some Guidelines - an Encore!

These have been unabashedly copied and pasted from a previous CD club and are strictly suggestions. We can certainly add and subtract as we evolve:

  • I took a first pass on assigning months according to some early requests. Please feel free to work out any changes to the order among yourselves and I'll update the blog.
  • The name was something I came up with on the spur of the moment. I am open to other ideas, of course!
  • To be in the club, all you’ve got to do make one CD mix over the year when it’s your month and mail it out to the other eleven members. Four of us (Mary and I, and my brother Mike and his wife Ileana) are at two addresses, so most of you will only have to mail out nine CDs.
  • Try to make a cover for your CD. Do what you like with it. Be creative. Include song titles and artist names for every track, and provide track numbers.
  • Mark the CD itself with your name and your month, using a marker.
  • Mix up your mix CD. Think about the flow, the order it will be listened to. Do not copy a whole album, although you can use more than one song by an artist, if you like.
  • Mail your CD to the others in the group, postmarked by the 15th of your month. Of course, let us know if you’re running into any issues and we’ll work something out.